James Anderson Moorer
Abstract
The problem discussed is that of simulating human composition of Western popular music by computer and some relevant theories of music and harmony are given. Problems with this kind of program and several schemes that are known not to work are discussed. Several previous computer compositions are discussed, including the ILLIAC Suite.
A program to generate short melody fragments was written to simulate some of the aspects of human composition. Five samples of its output are presented and discussed. It was discovered that although the fragments show many of the characteristics of popular melodies, they have a strangely alien sound. It is theorized that this is because the relevant probabilities which would discriminate against unfamiliar sequences were not used.
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Index Terms
- Music and computer composition
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Comments on Moorer's music and computer composition
J.A. Moorer's “Music and Computer Composition” [1] was a distressing communication. While I realize that musical expertise is probably beyond the realm of the editorial staff, I must object to both the naiveté and faulty reasoning on the musical side of ...
Comments