ABSTRACT
This exploratory study investigates muscular activity characteristics of a group of audience members during an experimental music performance. The study was designed to be as ecologically valid as possible, collecting data in a concert venue and making use of low-invasive measurement techniques. Muscle activity (EMG) from the forearms of 8 participants revealed that sitting in a group could be an indication of a level of group engagement, while comparatively greater muscular activity from a participant sitting at close distance to the stage suggests performance-induced bodily responses. The self-reported measures rendered little evidence supporting the links between muscular activity and live music exposure, although a larger sample size and a wider range of music styles need to be included in future studies to provide conclusive results.
- Anne J. Blood and Robert J. Zatorre. 2001. Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion. Proceedings of the National Academy of Sciences 98, 20 (2001), 11818--11823.Google ScholarCross Ref
- K. Brantberg, L. Löfqvist, and P. Fransson. 2004. Large Vestibular Evoked Myogenic Potentials in Response to Bone-Conducted Sounds in Patients with Superior Canal Dehiscence Syndrome. Audiology and Neurotology 9, 3 (2004), 173--182.Google ScholarCross Ref
- Alexandre Coste, Robin N. Salesse, Mathieu Gueugnon, Ludovic Marin, and Benoit G. Bardy. 2017. Standing or swaying to the beat: Discrete auditory rhythms entrain stance and promote postural coordination stability. Gait & Posture 59 (2017), 28--34.Google ScholarCross Ref
- Ariany G. da Silva, Heraldo L. Guida, Ana MÃąrcia dos S. AntÃt'nio, Renata S. Marcomini, Anne M.G.G. Fontes, Luiz Carlos de Abreu, Adriano L. Roque, Sidney B. Silva, Rodrigo D. Raimundo, Celso Ferreira, and Vitor E. Valenti. 2014. An exploration of heart rate response to differing music rhythm and tempos. Complementary Therapies in Clinical Practice 20, 2 (2014), 130--134.Google ScholarCross Ref
- Marco Donnarumma. 2011. Xth Sense: A study of muscle sounds for an experimental paradigm of musical performance. In Proceedings of the International Computer Music Conference. University of Huddersfield, 243--248.Google Scholar
- Rolf Inge Godøy, Minho Song, Kristian Nymoen, Mari Romarheim Haugen, and Alexander Refsum Jensenius. 2016. Exploring Sound-Motion Similarity in Musical Experience. Journal of New Music Research 45, 3 (2016), 210--222.Google ScholarCross Ref
- Anthony Gritten and Elaine King. 2006. Music and Gesture. Ashgate, Wiltshire.Google Scholar
- John Iversen and Aniruddh Patel. 2008. The Beat Alignment Test (BAT): Surveying Beat Processing Abilities in the General Population. In Proceedings of the 10th International Conference on Music Perception and Cognition (ICMPC10).Google Scholar
- Alexander Refsum Jensenius, Agata Zelechowska, and Victor Evaristo Gonzalez Sanchez. 2017. The Musical Influence on People's Micromotion when Standing Still in Groups. In Proceedings of the Sound and Music Computing Conference. Aalto University, 195--200.Google Scholar
- Marc Leman. 2016. The expressive moment: how interaction (with music) shapes human empowerment. MIT Press, Cambridge, MA.Google Scholar
- Micheline Lesaffre, Pieter-Jan Maes, and Marc Leman (Eds.). 2017. The Routledge Companion to Embodied Music Interaction (1 edition ed.). Routledge, New York; London.Google Scholar
- Guy Madison. 2006. Experiencing Groove Induced by Music: Consistency and Phenomenology. Music Perception: An Interdisciplinary Journal 24, 2 (2006), 201--208. http://www.jstor.org/stable/10.1525/mp.2006.24.2.201Google ScholarCross Ref
- Pieter-Jan Maes, Marc Leman, Caroline Palmer, and Marcelo Wanderley. 2014. Action-based effects on music perception. Frontiers in Psychology 4 (2014), 1008.Google ScholarCross Ref
- Ernest Mas-Herrero, Josep Marco-Pallares, Urbano Lorenzo-Seva, Robert J. Zatorre, and Antoni Rodriguez-Fornells. 2013. Individual Differences in Music Reward Experiences. Music Perception: An Interdisciplinary Journal 31, 2 (2013), 118--138. arXiv:http://mp.ucpress.edu/content/31/2/118.full.pdfGoogle ScholarCross Ref
- Dirk Moelants, Michiel Demey, Maarten Grachten, Chia-Fen Wu, and Marc Leman. 2012. The Influence of an Audience on Performers: A Comparison Between Rehearsal and Concert Using Audio, Video and Movement Data. Journal of New Music Research 41, 3--4 (2012), 67--78.Google ScholarCross Ref
- Jessica Phillips-Silver and Laurel J. Trainor. 2008. Vestibular influence on auditory metrical interpretation. Brain and Cognition 67, 1 (2008), 94--102.Google ScholarCross Ref
- Kianoush Sheykholeslami, Mohammad Habiby Kermany, and Kimitaka Kaga. 2001. Frequency sensitivity range of the saccule to bone-conducted stimuli measured by vestibular evoked myogenic potentials. Hearing Research 160 (2001), 58--62.Google ScholarCross Ref
- Yi-Huang Su. 2016. Sensorimotor Synchronization with Different Metrical Levels of Point-Light Dance Movements. Frontiers in Human Neuroscience 10, 186 (2016).Google Scholar
- Neil P. Todd. 1999. Motion in Music: A Neurobiological Perspective. Music Perception: An Interdisciplinary Journal 17, 1 (1999), 115--126.Google ScholarCross Ref
- Neil P. McAngus Todd and Frederik W. Cody. 2000. Vestibular responses to loud dance music: A physiological basis of the "rock and roll threshold"? The Journal of the Acoustical Society of America 107 (2000), 496--500.Google ScholarCross Ref
- B. J. Yates. 1992. Vestibular influences on the sympathetic nervous system. Brain Research Reviews 17, 1 (1992), 51--59.Google ScholarCross Ref
Index Terms
- Muscle activity response of the audience during an experimental music performance
Recommendations
The Role of Live Visuals in Audience Understanding of Electronic Music Performances
AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music ExperiencesThere is an identified lack of visual feedback in electronic music performances. Live visuals have been used to fill in this gap. However, there is a scarcity of studies that analyze the effectiveness of live visuals in conveying feedback. In this paper,...
The interaction effect of posture and psychological stress on neck-shoulder muscle activity in typing: a pilot study
EHAWC'11: Proceedings of the 2011th international conference on Ergonomics and health aspects of work with computersWork-related musculoskeletal disorders are common among computer users, especially involving the neck and shoulder region. Previous studies showed subjects with neck pain had altered muscle recruitment patterns that persisted throughout the sustained ...
Exploring a Dynamic Change of Muscle Perception in VR, Based on Muscle Electrical Activity and/or Joint Angle
AHs '21: Proceedings of the Augmented Humans International Conference 2021We display a virtual avatar changing its biceps appearance to fit the user’s biceps contraction. The avatar’s biceps changes its size and color based on either: (EMG) the biceps activity (recorded with a electromyography [EMG] sensor); or (ANG) the ...
Comments