Jennifer Seevinck
ABSTRACT
The interactive artwork Dichroic Wade explores the hybrid and concrete form of data, light and space through a colorful display of dynamic reflected and transmitted light. This light is manipulated and treated in a painterly way, where the physical manipulation of light, shadow and colour facilitates audience engagement with the hybrid data and real space. The light changes in response to both people moving through the space and data streams describing the changing wind conditions in the San Francisco Bay. The bright colour reflections on the gallery walls, ceiling and floor facilitate audience engagement with this data. It is through this interpretation of behaviours in the data that the audience is able to make new meanings, working to relate themselves to both data and their surroundings in meaningful ways.
Supplemental Material
- Jennifer Seevinck, Peter Chan. 2016. Dichroic Wade Art Installation. Video figure, also online Retrieved February 14, 2016 from https://vimeo.com/152517289. Photography & Video © Jen Seevinck 2016, Video production © Peter Chan 2016, Don't Stop © Buukwerm Musik 2015.Google Scholar
- Jennifer Seevinck. 2015. Light Currents. Interactive Art. Created during artist residency at The Edge, State Library of Queensland and exhibited in the Made From Light exhibition at the Brisbane Powerhouse Theatre, Australia.Google Scholar
- Jennifer Seevinck. 2015. Of me With me. Interactive art. Redcliffe City Gallery, Australia.Google Scholar
- Jennifer Seevinck. 2015. Emergence in Interactive Artistic Visualization. International Journal of Software Engineering and Knowledge Engineering 25, 2: 201--230.Google ScholarCross Ref
- Jennifer Seevinck. 2013. Concepts, Water and Reflections on Practice. Leonardo 46, 5: 494--495.Google ScholarCross Ref
- Jennifer Seevinck. 2011. The Concrete of NOW In INTERACTING: Art, Research and the Creative Practitioner, Linda Candy and Ernest Edmonds (Eds.). Libri Publishing Ltd. Farrindon, Oxon, UK, 242-256.Google Scholar
- Jennifer Seevinck. 2008. +-Now. Interactive Art. Installed at Beta_Space, Sydney Powerhouse Museum, Australia.Figure 5 Dichroic Wade, 2016. Dichroic glass transmits one colour and reflects another. Photo © Anthony Hearsey 2016.Google Scholar
Index Terms
- Dichroic Wade
Recommendations
Water Mirror
C&C '22: Proceedings of the 14th Conference on Creativity and CognitionWater Mirror is an aesthetic experiment in perception and interactive art. It is a new development from a series of prior works concerned with light, wind data and place. Comprising synthetic and video imagery viewed through two-way mirrored glass, ...
Digital arts: did you feel that?
CHI EA '13: CHI '13 Extended Abstracts on Human Factors in Computing SystemsThis panel considers the relationships between the interactive arts, audience engagement and experience design. What might each offer the other? Engagement and experience are central to current HCI thinking. We will present and argue about the research ...
Analysis about Application of Learning System into Interactive Digital Art Implementation
ISPAW '11: Proceedings of the 2011 IEEE Ninth International Symposium on Parallel and Distributed Processing with Applications WorkshopsThe rapid growth of science and technology influences to Digital Arts. Digital art is no more unfamiliar genre in art field. We can see many kinds of digital arts in our surroundings. High technology makes digital art more brilliant and various. ...
Comments